Synopsis
It is a joint magazine on the subject of human body reduction, with a total of nine gorgeous writing teams.
For each author and each work, we will do various things, including VORE R-18.
It is the contents of various short edits that change the size of human beings.
89 pages (93 pages of text)
Participating Authors
LuckyB (page 12) nurse, glove job and Unbith R-18
Kiyoshi (12 pages) anal anus bores the neighbor anal R-18
Sanjiro (12 pages) Science vs. Sports! Futanari Cheerleader’s fate!? R-18
Karki (page 6) The fate of the boyfriend who disturbed her house for the first time!? Sound
Takai-sen (8 pages)For the science staff who became a dwarf in accident, the only director who was safe is …! R-18
Namothu (8 pages) Space Ugly old Mob-men attacks a peaceful family! What is the reduced gas of fear!?
Maitake (7 pages) A short memory with a mysterious boy and a Yayamaru that Keiichi met in the mountains
Rodriguez (13 pages) What is the true character of the girl who met at the Halloween party? R-18
Ramses V (10 pages) and scolds the evil Shota corps of the type that calls a friend! R-18
Ad Page(1page)
| Circle | Nefradel S.P.A. |
| Tags | R18, Manga, JPEG, English |
| Price | 1,430JPY |
Editorial Review
Size transformation anthology comics occupy a niche within adult doujinshi, and this joint collection positions itself as a comprehensive survey of the subgenre’s range—moving beyond the familiar vore-focused content into varied fetish territory anchored by the shrinking mechanic. The anthology format is the work’s structural strength, offering nine distinct creative voices rather than sustained narrative, which trades depth for diversity of perspective.
The roster here demonstrates deliberate breadth. While vore appears across multiple contributions (notably LuckyB and Namothu’s entries), the collection doesn’t trap itself in a single fixation. Sanjiro’s futanari cheerleader premise, Kiyoshi’s neighbor scenario, and the Rodriguez Halloween segment suggest conventional sexual narrative frameworks adapted to size dynamics rather than fetish content designed around them. Takai-sen’s accidental dwarf story and Karki’s domestic intrusion angle hint at light comedic elements threading through otherwise explicit material. The inclusion of non-sexual pieces—Maitake’s mysterious mountain encounter reads as character-driven worldbuilding—differentiates this from pure fetish compilations. Art quality and execution across nine teams inevitably varies; the page allocation (ranging from 6 to 13 pages per segment) suggests uneven pacing, with Rodriguez’s truncated description hinting at possible production inconsistencies.
This collection serves readers seeking comprehensive exposure to size transformation fantasy without singular thematic obsession. Collectors of anthology works, those exploring multiple submissive/dominance dynamics within the macro/micro space, and artists interested in studying how different creators interpret the same fundamental premise will find concrete value here.
The anthology format provides breadth where serialized works offer depth, making this a competent survey piece for the genuinely curious rather than a definitive statement within its subgenre.
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