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Yurugal JK!! ~Until Hinata Ayase Gets Corrupted by a C*ck~ [Binaural Recording]

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    Synopsis

    When you pick up a “yurugal JK” Hinata Ayase’s purse, a course of

    romantic meetings with Hinata begins and she starts getting into your c*ck!

    Please enjoy her corruption comes with fellatio, ear licking, countdown etc.

    in 3 tracks for total of 2 hours 34 minutes.

    CV: Rito Ichinose

    Scenario: 4D Glasses (Bousaba Lubricant)

    Production / Illustration: AiharaHanten

    * Announcement *

    This product is an audio work.

    * Binaural Audio Product. Headphones / earphones recommended.

    – AAC (M4A) (320kbps & 48,100 kHz)

    – MP3 (320kbps & 48.000 kHz)

    – WAV (48.000 kHz)

    Circleshanghai hanten
    TagsR18, Voice / ASMR, WAV, Japanese
    Price715JPY

    Editorial Review

    Binaural corruption narratives remain a consistent draw in the adult voice work market, and this three-track release from 4D Glasses positions itself squarely within that lineage—a scenario-driven descent built on the “found item” premise rather than pre-existing relationship. The 2+ hour runtime suggests substantial content investment, and the inclusion of specific techniques (ear licking, fellatio, countdown mechanics) signals attention to variety within the corruption arc.

    What distinguishes this work is the combination of binaural production paired with what the credits frame as a “Bousaba Lubricant” scenario—a detail that hints at focused sensory immersion around particular pleasures. Rito Ichinose’s performance carries the narrative weight across three discrete tracks, allowing for progression staging rather than a single monolithic experience. The character of Hinata Ayase herself operates as the corruption subject rather than a pre-corrupted persona, which frames listener agency as instrumental to her trajectory. This framing—the listener’s actions directly catalyzing character transformation—remains a potent framework within the genre, particularly when paired with binaural spatial audio that positions the listener as physically present in these scenarios.

    The technical specifications (multiple format options across WAV, MP3, and M4A) indicate accessibility consideration, though the emphasis on binaural recording recommends headphone engagement for optimal spatial effect. Aihara Hanten’s illustration work rounds out production presentation, though the audio itself remains the primary draw.

    This appeals most directly to listeners seeking immersive corruption narratives with emphasis on the listener’s role as agent of change, particularly those attuned to binaural ear-focus techniques and extended scenario arcs. A reliable entry point for anyone already engaged with voice work’s progression-based corruption subgenre.

    Related Tags:

    Japanese  |  R18  |  Voice / ASMR  |  WAV  |  Comics

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