Synopsis
The Tuituna, a rusted hunk of metal floating on an infinite canvas of billions of planets.
A starship that escaped the planet Quorna after an invasion by cosmic life forms.
However, everyone aboard the Tuituna, including Queen Tuituna herself, is female.
Concerned about the survival of their species, Queen Tuituna abducts a single man from Earth, a civilization with remarkably low technological advancement.
This is a remake of the doujin work [Space Harem (RJ170331)] sold in 2016.
It features an entirely new puzzle game system with expanded content.
Approximately 15,000 characters
4 CG images
Editorial Review
This is a straightforward harem fantasy that positions itself as a sci-fi premise wrapper around a core premise of consensual abundance. The all-happy tag combined with the “pleasure fall” mechanic suggests a work designed to sidestep conflict entirely—the abduction setup dissolves into willing participation, which distinguishes this from darker coercion-based narratives that occasionally appear in this space. The remake status and integrated puzzle game system signal an attempt to add mechanical engagement beyond pure narrative and static imagery.
What sets this apart is the commitment to a female-dominated power structure where the protagonist exists as a resource within an explicitly matriarchal economy. The succubus tag paired with “uke protagonist” creates an inversion of typical power dynamics; rather than the standard framing where a male lead pursues conquests, here the dynamic centers on being pursued and desired by multiple women operating from institutional authority. Queen Tuituna’s agency as a decision-maker—not a prize—anchors the premise in a different fantasy architecture than the generic harem formula.
The production notes reveal modest scope: 4 CG images across 15,000 characters of text suggests this is a writing-heavy work where puzzle mechanics likely distribute pacing rather than serve as the primary draw. Expect significant visual novel stretches between illustration beats, which will either appeal to or alienate depending on tolerance for text-forward adult narratives.
This caters specifically to players seeking female-initiated fantasy without adopting submissive tones toward female characters—the pleasure fall concept combined with the queen’s institutional position frames desire as emanating from power rather than subservience. The puzzle integration is a curiosity worth evaluating on its own merits, though it appears secondary to the narrative core.
For readers who enjoy harem premises but prefer their female characters positioned as active architects rather than passive recipients, this remake’s reframing justifies engagement.
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Related Tags:
Fantasy | busty | Harem | succubus | male protagonist
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