Synopsis
My History! This is a comprehensive collection of illustrations and comics released on my supporter sites between 2023 and 2025. It features 90 manga pages and 12 base illustrations—truly a luxurious anthology! The collection includes works by multiple artists: efra’s “Swordsman vs. Slime Girl” (48 pages), kurarome’s bee girl series, sasamas’s summoner content, and contributions from other talented creators. Beyond the main works, it includes bonus content such as character design sketches from previous projects, unpublished manuscripts (30 pages), and self-portraits. This compilation represents the best of my supporter-exclusive creations over the past two years.
| Circle | I’m cutest in the world. |
| Tags | R18, CG + Illustrations, JPEG, Japanese, English |
| Price | 1,650JPY |
Editorial Review
This is a curator’s anthology rather than a singular authorial vision—a 2023-2025 compilation drawn from a supporter site, assembling work from five different artists (efra, kurarome, sasamas, fūristo, and bisurmaki, plus yanko-pi) under what appears to be a shared monster-girl combat framework. The result functions as a high-volume content dump: 90 manga pages, dozens of CG illustrations with extensive variant coverage, plus bonus materials like abandoned layouts and character sketches.
The structural appeal is immediately obvious. Efra’s 48-page swordswoman-versus-slime sequence alone justifies the collection’s weight, and the pairing system—humanoid character types (engineers, ninjas, summoners) matched against various creature archetypes (tentacles, fusion slimes, lamias, bee-girls)—creates enough thematic coherence to feel intentional rather than random. The variant-heavy CG work from sasamas (34 total including differences) and fūristo (19 including differences) suggests considerable production investment in pose and expression variation, which appeals to collectors who prize thoroughness. The inclusion of unpublished 30-page storyboards and ancillary sketches positions this as a retrospective for established supporters rather than a gateway product.
What limits its reach is precisely what defines it: this reads as an insider document, a “thank you” package for someone’s subscriber base rather than a standalone work designed for cold entry. The anthology structure means tonal and artistic consistency varies significantly across sequences. Fans of character-driven narrative will gravitate toward the longer manga pieces; those prioritizing variant-heavy imagery will mine the CG sections. The monster-girl-versus-protagonist framework is familiar enough territory, but nothing in the synopsis suggests thematic depth beyond the conceit itself.
For supporters of these specific artists or collectors building comprehensive monster-girl libraries, this volume-per-dollar ratio is genuinely compelling. For newcomers seeking a cohesive statement, this feels more like overstuffed historical record than curated experience.
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Japanese | R18 | JPEG | CG + Illustrations | English
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