Synopsis
* Prologue
On the day of the wedding …
The ceremony was held at the gorgeous wedding hall.
In the ceremony, Princess Lardara escaped from the wedding hall.
Her act was not allowed as a princess.
Hami Luis was waiting for Lardara when she went out.
Hami Luis took an oath of love to Lardara and tried to elope.
She accepted him with a joy …
And they escaped from the kingdom …
The news of the escaping princess had quickly spread into the wedding hall.
Moderate ministers in the empire and kingdom upset.
However, the hardliners in the empire had a bad smile on their faces.
They were about to execute a plan to collapse the kingdom.
Hawkish ministers in the empire have opposed the cooperation with the kingdom.
They started the war, got colonies,
and had the idea that the empire should be prospered by expanding its territory.
Lardara was also trapped into the hawks in the empire.
* Character
Name: Lardara
Personality: A noble princess looking down on the people
Selfish, stupid, unthinking behavior.
She is selfish princess and doesn’t care about her country.
She has a lover, Hami Luis who wants to escape from political issue and want to go with him.
(English product description provided by the creator.)
| Circle | Nekoshaku |
| Tags | R18, Role-playing, Music, Application, English |
| Price | 715JPY |
Editorial Review
Princess Revenge positions itself as a narrative-driven RPG with music integration, but the core appeal here sits squarely in the sexual revenge fantasy subgenre—a category that thrives on humiliation arcs and role reversal. The setup is archetypal: a spoiled royal protagonist faces comeuppance through circumstances she’s set in motion, and the gameplay presumably channels player agency into her degradation and redemption across an adult fantasy backdrop.
What distinguishes this work is its willingness to center the princess as genuinely contemptible. Rather than the more common “reluctant noble forced into circumstances” framing, Lardara is positioned as actively selfish and stupid—character traits that the narrative treats as central to her trajectory rather than sympathetic flaws. This opens the door for more caustic, less romanticized content than typical isekai or fantasy romance fare. The political conspiracy angle (hardline ministers weaponizing her escape to collapse the kingdom) adds mechanical stakes beyond her personal journey, suggesting the game might explore how individual hubris triggers systemic collapse.
The music integration tag is notable; it implies rhythm or audio-reactive elements beyond typical VN soundtracking, though the synopsis doesn’t elaborate on implementation. The RPG classification combined with application delivery suggests a more mechanically engaged experience than pure visual novel territory.
The English tag in a DLsite context signals localization effort, which matters for accessibility in this space.
This will resonate most strongly with players who enjoy humiliation-focused narratives where the protagonist’s arrogance becomes the engine for her own downfall, particularly those who find conventional sympathetic heroines tedious. The contemptible characterization prevents this from being a standard power fantasy or romance.
A solid entry in the revenge-humiliation subgenre that commits to its premise without softening its protagonist’s genuine unpleasantness.
Official English version available ↓
Get “Princess Revenge – Revenge by ” on DLsite
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Related Tags:
R18 | English | Application | Music | Role-playing
