Synopsis
Daisuke (seme) confessed to Fuga (uke) in middle school, only to be rejected with “That’s gross.” When Fuga spread word of the confession, Daisuke’s sexual orientation was exposed to everyone, leading to bullying.
Daisuke became a shut-in and made his living as a game streamer.
On Coming of Age Day, the two coincidentally meet at a convenience store near their homes. Fuga has completely changed—he’s now a delinquent.
When Daisuke is teased about his old confession, he snaps. As Daisuke tries to leave, Fuga grabs his hand and breaks the luxury watch he’s wearing.
When asked to pay for damages, Fuga can’t afford it, so he pleads, “I’ll do anything, just forgive me.”
Daisuke takes Fuga back to his place and suddenly declares:
“Starting now, I’m going to punish the guy who bullied me back in middle school.”
With that, he starts an adult live stream…
Cover + 34 pages of content + 2-page afterword = 37 pages total.
※Story by Nishizawa Bon / Art by Kotatsuneko Sensei
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Editorial Review
Revenge-driven coercion occupies a well-established niche in BL doujin, but this work leverages the streaming angle to distinguish itself from the typical closed-room power dynamic. Rather than isolating the conflict between two characters, introducing the invisible audience—voyeuristic viewers and the performative humiliation inherent to live broadcasting—creates a psychological layer that escalates beyond conventional punishment scenarios. The synopsis positions this as a calculated retaliation with public stakes, transforming the uke’s vulnerability into spectacle.
The tag combination of verbal abuse, irrumatio, and creampie signals explicit, focused content with minimal plot padding. Nishizawa Bon’s story structure leverages the coincidental reunion efficiently: the broken watch becomes a concrete debt justifying the arrangement, and Daisuke’s years as a streamer provide natural motivation for monetizing his revenge. This avoids the contrived consent issues that can undermine coercion narratives—the uke’s initial “I’ll do anything” establishes the bargain, however unequal. Kotatsuneko’s art style (based on the cover’s rendering) appears clean and expressive, prioritizing legibility over experimental layouts, which suits the scenario’s intensity.
The 37-page count positions this as substantial one-shot rather than quick gratification, suggesting the creators invested in pacing the psychological degradation and the livestream framing device. The two-page afterword hints at character reflection, though whether this functions as genuine catharsis or ironic commentary remains unclear from the synopsis alone.
This appeals most to readers seeking revenge fantasies grounded in contemporary setting details (streaming culture, social media exposure, economic vulnerability) rather than pure fantasy scenarios. The work rewards audiences invested in power reversals with a modern veneer and explicit, unambiguous sexual content.
Precise execution of a niche premise—revenge streaming done with craft.
Related Tags:
Creampie | humiliation | voyeurism | coercion | Irrumatio
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