Synopsis
Sarsuke, an ordinary person thrust into another world, discovers he can use magic! There he meets two extraordinary princesses:
Eliza, the intelligent and principled Princess of Promia Kingdom, revered as a saint by her people;
Aina, the spirited and talented swordswoman Princess of Midgard, undefeated in combat.
Using forbidden rune magic, our protagonist begins their lewd corruption!
Draining Eliza—the nation’s ideal holy maiden—into ahegao ecstasy through internal orgasms;
Breaking the undefeated Aina into submission with intense clitoral stimulation!
But the conquest doesn’t end there. Even their mothers, the two Queens, become targets.
Awakening their mature bodies with rune magic, dragging them from royalty into pure depravity!
A royal harem fantasy: Four supreme S-rank beauties versus the strongest perverted mage!
This complete collection includes the full “I Became a Mage in Another World” series plus 20 pages of new original content.
Get “I Became a Mage in Another Wor” on DLsite
This Week’s Top Rankings:
Editorial Review
This is a straightforward corruption fantasy occupying well-trodden ground in the isekai adult manga space—the “ordinary protagonist discovers magical power and exploits it for sexual dominance” formula executed with emphasis on status degradation. The work’s framing around rune magic as the mechanism of coercion distinguishes it slightly from generic fantasy conquest narratives, positioning the protagonist’s power as both literal and narrative tool for breaking down resistance.
What elevates this from baseline genre work is the dual-generation harem structure. Most corruption-focused isekai manga fixate on a single target or peer-group dynamic; here, the inclusion of both princesses and their mothers adds a generational layer that fundamentally reshapes the power fantasy. The contrast between Eliza’s principled sanctity and Aina’s undefeated warrior status creates distinct degradation trajectories—the “holy maiden’s” fall carries different weight than the “undefeated swordswoman’s”—while the maternal figures introduce age-gap dynamics increasingly popular in contemporary doujinshi. The emphasis on large breasts across tags signals consistent attention to body presentation, and the specific mention of internal orgasms and clitoral stimulation indicates the artist differentiates physical responses rather than defaulting to generic ecstasy.
The “complete collection” framing with 20 pages of original content suggests either serialized progression or expanded material, valuable for readers seeking sustained narrative rather than disconnected chapters. Production quality remains unspecified by available information, though the specificity of described sensations hints at technical competence.
This lands squarely for audiences seeking unapologetic female degradation through magical coercion, particularly those who prize status-based humiliation (saint-to-depravity arcs resonate distinctly) and intergenerational harem dynamics. Those seeking nuance, consent negotiation, or power-exchange complexity elsewhere.
A thorough execution of corruption fantasy fundamentals with enough structural variation to justify a complete collection purchase for the subgenre’s committed audience.
Related Tags:
large breasts | group sex | Harem | Corruption | Ahegao
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