Synopsis
夫人和女僕要成为海盗娼婦
Wife and maid become pirate whores
RPGMZ引擎
监督 ntrworld-M先生
作画 裹洞补丁
语言繁中/简中/日文/英文
※CG只有立绘,其他全是像素图。
※AI使用的范围与程度:作画者把草图交给AI,再修改生成的图并且生成了部分AI的立绘图。
角色1-黑桃索菲亚(Spades Sophia)海盗船長♀ 30age
角色2-奥黛莉娅納什(Odelia Nash)夫人♀ 22age
角色3-佐纳戴蒙德(Zona Diamond)黑人女僕♀ 20age
角色4-埃里克納什(Eric Nash)古董商人♂ 25age
角色5-里科布朗 (Rico Brown)粗壮黑人副船长♂ 35age
角色
角色1-黑桃索菲亚(Spades Sophia)海盗船長♀ 30age
角色2-奥黛莉娅納什(Odelia Nash)夫人♀ 22age
角色3-佐纳戴蒙德(Zona Diamond)黑人女僕♀ 20age
故事
某个广场、市集有海盗懸赏金额的通告!
埃里克和奥黛莉娅是古董的商人,和傭人佐纳在准备出海,買衫拾行李。
出海时担心有海盗,請了海军,保镖把守,把古董小心运送到其他领地,其中价格最贵的是克苏鲁雕像。
不幸碰上黑桃索菲亚,里科布朗,他们把男主的海军,保镖击杀,商船连带古董宝箱以及兩个女人被没收,
就是这样,关于夫人和女僕要成为海盗娼婦的故事展开了…!
回想事件
1.”保镖们在幻想着夫人和黑人女僕”
2.”要让奥黛莉娅納什试穿衣服”
3.”小混混性骚擾黑人女僕”
4.”夫人夜晚旅馆调情”
5.”夫人女僕為奴”
6.”里科布朗优先使用夫人”
7.”黑桃船长第一次的调教”
8.”佐纳女僕被爭着小穴”
9.”带套子的黑色大肉棒深入了夫人”
10.”黑桃索菲亚的航行”
11.”听到夫人的淫叫,女僕被命令给埃里克手交”
12.”海盗羞辱埃里克”
13.”海盗讨論夫人、女僕”
14.”夫人和海盗交欢无视了老公”
15.”偷看女僕倉库一边挨操一边给埃里克手交”
16.”远处窥看奥黛莉娅和里科小船约会”
17.”黑桃船长脚交懲罚埃里克”
18.”黑桃船长奖勵埃里克并且述说了自己的过去”
19.”齊集克苏鲁碎片的END”
20.”埃里克和佐纳在荒岛”
21.”奥黛莉娅和里科布朗在红灯区开酒吧”
22.”黑桃索菲亚在地牢成为海军的慰安婦”
※作品介绍文章由社团提供。
※作品介紹文章由社團提供。
(English product description provided by the creator.)
| Circle | ntrworld |
| Tags | R18, ロールプレイング, アプリケーション, 中国語(簡体字), 中国語(繁体字), 日本語, 英語 |
| Price | 2,200円 |
Editorial Review
A pirate-themed capture fantasy built on RPG Maker MZ that trades narrative subtlety for straightforward scenario progression across multiple branching endpoints. This sits squarely in the NTR-adjacent power-imbalance territory that dominates the current adult game space, distinguished primarily by its multicultural cast and deliberately fractured narrative structure rather than mechanical innovation.
The work’s identity hinges on forced role transformation—two women abducted into sexual servitude aboard a pirate vessel, their husband left helpless to witness degradation. The synopsis reveals a deliberately calculated humiliation economy: twenty numbered “recall events” map out a degradation curve from violation through habituation to potential transcendence (the Cthulhu artifact ending), with the husband’s perspective cycling between voyeur and participant. The inclusion of multiple language options and the credited hybrid human-AI art production (hand-drawn character sprites with AI-assisted backgrounds and some standing art) positions this as a consciously cosmopolitan production attempting regional market penetration.
The mechanical framework—turn-based RPG structure applied to a non-combat narrative progression—mirrors structural choices seen in visual novels that weaponize gameplay pacing to enforce scenario digestion rather than player agency. Event branching culminates in three distinct endings (artifact recovery, island isolation, red-light district transformation), suggesting intentional divergence rather than single-route inevitability.
This appeals specifically to players invested in detailed NTR worldbuilding with cultural-voyeurism elements and narrative determinism—those who value scenario completeness over interactive choice. The production quality caveats (pixel art dominance, AI implementation extent) matter substantially to visual fidelity expectations.
Niche appeal justified by committed scenario design, though genre familiarity and art compromises limit broader accessibility.
Official English version available ↓
Get “The Lady and Maid Become Pirat” on DLsite
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