I’m Sorry for Being a Pervert

Editorial Review

★3.7 / 5 — henhenta editorial rating (our own assessment, not the DLsite official user score)

This work occupies an increasingly crowded intersection of workplace comedy and power-exchange romance, but distinguishes itself through its particular framing of accidental dominance. Rather than the calculated seduction or predatory setup that typifies much SM material, the appeal here hinges on one character’s total obliviousness to his own authority—a dynamic that generates comedy from genuine miscommunication before the erotic momentum takes hold. The “boys’ love” tag paired with explicit submission themes signals this is targeting an audience comfortable with traditionally feminine positioning in male-male dynamics, which remains a distinct subset of BL readership.

What makes this immediately recognizable within the doujinshi landscape is its comedic scaffolding. The framing narrative—guilt leading to a reckless promise, followed by escalating exposure—trades the psychological depth of consent-focused BDSM narratives for slapstick humiliation played for laughs. The salaryman’s internal resistance melting into unexpected pleasure charts familiar territory, but the emphasis on his employer’s *unconscious* dominance creates productive tension between the receptive character’s shame and the dominant character’s complete emotional absence from the power exchange. That asymmetry is the work’s real engine.

The JPEG format notation and manga presentation suggest a conventional doujinshi production approach—likely digitally rendered with straightforward sequential art rather than experimental layouts. The workplace setting and salary-man protagonist position this squarely within adult doujinshi conventions while avoiding the more niche subcategories of transformation or non-consent play.

This appeals most directly to BL readers who prioritize comedy-first storytelling and enjoy watching defensive characters gradually surrender to humiliation, particularly those drawn to the paradox of dominant figures who remain emotionally detached from their own power. A reliably entertaining entry in the “accidental authority” subgenre.