Can I Call You Mom? ~Until I Become a Baby~

Editorial Review

This is a regression-focused adventure that positions itself as a narrative-driven experience built around adult baby play—a niche but consistent subgenre within doujin adult games. The work distinguishes itself from purely mechanical offerings by grounding the fantasy in character motivation: Ichika’s financial desperation creates genuine dramatic stakes that justify her acceptance of increasingly infantilizing scenarios. The dual-ending structure suggests thematic weight around agency and consent, though the synopsis cuts off before confirming this.

What separates this from typical regression works is the deliberate framing device. Rather than a sudden, magical transformation, the setup presents a contractual arrangement with psychological dimensions—the “serious girl” descriptor hints at character contrast that could carry narrative tension across the 2.5-hour runtime. The inclusion of audio design is notable; in a genre often reliant on visual fetish imagery, sound design for regression scenarios (bottle feeding, diaper changes, spanking) creates immersion beyond static CGs. The 300+ event variations suggest developers invested in granular branching around core scenes rather than padding with generic content.

The tag combination of “female perspective” with infantilization content is relatively uncommon in doujin spaces, where such material often defaults to male-gaze framing. Whether this shifts the psychological angle or merely reflects player avatar perspective remains unclear from the synopsis, but it’s a structural choice worth noting.

This targets adults specifically seeking regression roleplay with narrative coherence rather than pure fetish scenes. If you approach this as a psychological fantasy exploring power dynamics through economic vulnerability—rather than expecting mainstream character writing—the deliberate pacing and contained scope could deliver sustained engagement.

A focused niche work that understands its audience’s needs without overstretching its 2.5-hour format.