Synopsis
【INCLUDED CONTENT】
PL18_Environmental Sound 21 [Festival, Festival Music, Summer Festival, Cicadas].wav
PL18_Environmental Sound 22 [Festival, Festival Music, Autumn Festival, Bell Crickets].wav
PL18_Environmental Sound 23 [Summer, Cicadas].wav
[PALETTE 2018: Portion/Effects]
A festival music set created by synthesizing field recordings from multiple festival locations.
As a bonus, Track 23 [Summer, Cicadas] features looped processing of the cicada chorus used in Track 21.
※※※ Demo version includes all audio files ※※※
To help you make an informed purchase, we’ve included all sound sources in MP3 format in the demo version. No unnecessary processing such as noise addition or partial cuts has been applied to avoid compromising the intended atmosphere.
Of course, we can do this because we’re confident in the quality of our work!
Please download the demo version first.
※※※ SPECIFICATIONS ※※※
Format: Microsoft Wave / Linear PCM
Sampling Rate: 96kHz
Bit Depth: 24-bit
Channels: Stereo (2ch)
※※※ Please support sustainable sound library development ※※※
This sound library aims to help independent creators and small-scale developers produce high-quality work, thereby promoting the doujin, indie game, and voice work communities. Our pricing is significantly discounted compared to commercial licenses and custom recording services.
We kindly ask for your cooperation in providing proper credit attribution and optional usage reports.
Editorial Review
The PL18 Ambient Sounds series occupies a niche but growing corner of the doujin ecosystem: high-fidelity environmental audio for creators, streamers, and ambient media enthusiasts. This particular installment positions itself as a utility product rather than entertainment—a practical resource that trades narrative or character work for technical precision and atmospheric authenticity.
What distinguishes this collection is its commitment to source material integrity. Rather than synthesizing festival atmosphere from scratch, the creator field-recorded multiple live festival locations, then layered and processed those recordings to extract the essential audio signature of each seasonal context. Tracks 21 and 22 pair festival music with their respective seasonal soundscapes—cicadas for summer, bell crickets for autumn—while Track 23 isolates and loops the cicada element into a pure meditation on that single sound. The decision to include full MP3 versions in the demo alongside the final 96kHz/24-bit WAV masters signals confidence in the source material itself; there’s no obfuscation or artificial enhancement masking a thin recording.
The technical specifications—96kHz sampling rate and 24-bit depth—exceed streaming standards and suggest this is designed for creators working in professional or semi-professional contexts rather than casual listening. The stereo field recording approach should provide spatial dimensionality suitable for immersive applications, background layers in larger sound design projects, or meditative/sleep-aid contexts.
This collection serves ambient music enthusiasts, indie game developers seeking festival ambience, ASMR content creators, and streamers looking for authentic environmental texture to layer under broadcasts or creative projects. The “all ages” tag is appropriate—these are pure environmental recordings without vocal or musical content.
For anyone needing authentic, well-recorded festival soundscapes in production-quality formats, this is straightforward and honest work. The demo-first transparency approach removes purchase friction entirely.
Get “PL18 Ambient Sounds 21-23: Fes” on FANZA
This Week’s Top Rankings:
Related Tags:
Male Audience | all ages | doujin | other games | audio included
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