Synopsis
This is an adult manga anthology collection featuring multiple stories by different artists. The lead story follows a succubus named Lily who infiltrates a man’s home seeking sustenance, only to find her charm powers ineffective against him. As she’s repeatedly overcome by his advances, she gradually develops feelings for him despite her pride as a succubus. The cover story, “Beyond the Steam” by Renbiki, depicts a love triangle where Kurosawa finds himself torn between two women. Additional stories explore romantic and intimate moments between couples and characters, including a shy new employee and an energetic girlfriend. The collection includes works by various artists and includes a debut piece. This anthology offers multiple short stories catering to adult audiences, with themes centered on romance and intimate relationships.
| Circle | ワニマガジン社 |
| Tags | R18, マンガ, 雑誌/アンソロ |
| Price | 990円 |
Editorial Review
Comic Kairakuten remains the gold standard for Japanese adult manga anthologies, and this September 2026 issue doubles down on what keeps the anthology format vital: rotating artist rosters delivering wildly varied takes on familiar scenarios. Rather than chasing novelty, the magazine excels at letting distinctive stylistic voices—here spanning from the grotesque charm of さんじゅうろう to the grounded domesticity of 鈴蘭ましろ—find their groove within the R18 sandbox.
The standout pull here is 楝蛙’s continuation of “湯気のむこう,” a series that’s earned its reputation by treating romantic tension and hesitation as legitimate dramatic beats rather than obstacles to clear. The love triangle scaffolding and Kurosawa’s moment of decisive choice promise character stakes that elevate the work beyond mechanical eroticism. Equally compelling is さんじゅうろう’s anchoring piece, “サキュバスですがなにか!?”, which leans into comedic personality clash—the demon unable to seduce her target becoming genuinely attracted to him—a dynamic that’s deceptively rare in demon-focused erotica. The newcomers like Reco and 便座そうじ inject lighter energy, with the former’s predatory “naive man-hunting” pairing and the latter’s premise of casual couples-life eroticism broadening the anthology’s emotional range.
桃雲’s commemorative short capitalizes on elevator confinement, a reliable claustrophobic trigger, while the tall-girl/M-type girlfriend dynamic in 柚十扇’s contribution hits a reliable but underexplored niche. Production values remain sharp across the board—Kairakuten’s reputation for clean linework and expressive faces holds firm.
This is precisely targeted anthology work: ideal for readers who prize stylistic variety, character-driven scenarios, and the specific erotic dialect that Kairakuten has perfected over years of curation.
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