Synopsis
Kana Honda, a first-year university student, begins sharing a house with an old high school friend. The other residents are beautiful and kind, the facilities are well-equipped, and she looks forward to her new campus life.
However, something seems odd about the other residents. When she sneaks out at night to investigate, she discovers a male ghost and the residents obediently following his commands.
Having their souls corrupted by the man, the residents have become mindless dolls, surrendering their bodies to satisfy his desires as vessels of flesh.
Kana tries to resist, but her body is stolen as well. She too becomes a doll, mercilessly tormented by the other living puppets.
The dolls move. For the man’s true purpose—to create “new dolls.”
A hypnosis/brainwashing and body possession work for those with honest desires to manipulate girls and have your way with them.
Note: The later sections contain futanari elements.
[Scheduled for sale at C103]
Grayscale · 43 pages
*English version included.
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Editorial Review
Welcome to the Doll’s Mansion operates squarely in the possession-and-corruption niche, a segment that’s seen steady refinement over the past few years as artists explore psychological subjugation scenarios alongside physical transformation. This work distinguishes itself through a deliberate escalation structure: the protagonist arrives with naive optimism, discovers the horror gradually rather than landing in immediate peril, and then experiences the full weight of her own transformation—a narrative arc that sells the loss-of-agency fantasy more effectively than jump-to-dungeon approaches.
The male ghost antagonist as orchestrator adds a supernatural framing device that legitimizes the power imbalance without relying solely on technological or pharmaceutical justification. More distinctly, the tag combination of hypnosis, possession, and slavery alongside futanari signals that the work’s depravity extends beyond domination into body-horror territory—the residents don’t just obey; their physical forms become vehicles for the ghost’s will, and later iterations introduce involuntary transformation elements. This multi-layered corruption appeals to readers who want hierarchy *and* biological subjugation woven together. The 43-page length suggests substantial world-building before the conversion sequences, which distinguishes it from shorter, purely climactic works.
The grayscale presentation is worth noting for clarity’s sake—it keeps line weights readable during dense panel layouts, a practical choice for possession narratives where visual continuity matters. The English localization broadens accessibility, a sign this work resonated beyond its original market.
This is designed for readers specifically drawn to protagonist corruption, hypnotic subjugation, and the particular appeal of watching resistance crumble as bodies are repurposed. If you gravitate toward ghost-possession scenarios with a focus on psychological surrender preceding physical domination, this delivers exactly what its tag-set promises without pretense.
Related Tags:
Breasts | training | futanari | Hypnosis | mind control
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